Rev. Kesiena Esiri Says Afrogospel and Christian Rap Are Born from the Spirit of Babylon

Popular Nigerian Powerful Preacher Rev. Kesiena Esiri, has Thrown more light on Afrogospel singer and Rapper.
And making it clear to all Christian.

A Controversial Statement

Speaking during a recent Sunday service in Warri, Delta State, Rev. Esiri expressed concern about what he sees as the growing worldly influence on gospel music. According to him, many modern Christian genres have drifted from their spiritual roots and are now shaped more by entertainment culture than by divine inspiration.

“These sounds—Afrogospel, Christian Rap, and Rock—are not born of the Spirit; they are borrowed from Babylon,” he said during his sermon. “The Church should not copy the world to reach the world. When we do, we lose the purity and power of true worship.”

His words quickly circulated on social media, drawing thousands of reactions from Christians, gospel musicians, and church leaders across Nigeria and beyond.

Reactions from the Faith Community

While some believers praised Rev. Esiri for defending holiness and preserving traditional worship, others argued that his statement paints too narrow a picture of how God can use creativity. Supporters of contemporary gospel sounds say music is simply a language of culture, and that God can use any style to reach people’s hearts.

Gospel music fan Chidinma Ekene commented, “Afrogospel has brought many youths back to church. The rhythm may be modern, but the message still glorifies Jesus.” Others pointed to successful artists like Limoblaze, Greatman Takit, and Prinx Emmanuel, whose upbeat songs continue to inspire millions of young listeners.

The Broader Debate: Culture vs. Sanctification

This clash of opinions highlights an ongoing tension in the Church: how to balance cultural relevance with spiritual purity. For some pastors, using Afrobeat rhythms or rap verses in gospel music feels like diluting sacred worship. For others, it’s a powerful way to reach a generation raised on contemporary sounds.

Music minister Ada Ehi once explained in an interview, “Sound evolves, but the Spirit behind the sound must remain holy.” Her view mirrors what many consider the middle ground — embracing creativity while maintaining spiritual authenticity.

The Rise of Afrogospel

In the last five years, Afrogospel has gained global traction, blending Afrobeat, R&B, and traditional gospel themes. Nigerian acts such as Limoblaze and Prinx Emmanuel have collaborated with international Christian artists, placing gospel music from Africa on global charts. The genre’s success shows how faith-based messages can thrive within popular culture without losing their essence.

Why Rev. Esiri’s Message Still Matters

Even with differing opinions, Rev. Esiri’s statement has reignited an important conversation about what defines “pure worship” and how the Church can engage culture without compromise. His warning serves as a reminder that creativity in ministry must still align with biblical truth.

Whether one agrees with him or not, the debate around Afrogospel and Christian Rap reflects the broader challenge of modern Christianity — staying relevant to the world while remaining rooted in the Word.